Sunday, May 29, 2011

May 29 - Post-Its


Do final pdf for and post Seasons' Eves (Op. 14) on The International Music Score Library Project, begin composition of Psalm 58 (inspired by George Crumb's Makrokosmos, Volume 1, orchestrated after his Echoes of Time and the River), transfer compositions from PC to Mac via email up to Waiting for Godot (Op. 128), with a 21st clip added to video for Camino Real: Block 9.


After all this,


off with Harriet towards


San Francisco,


via the


Marin Headlands


and


Golden Gate


Bridge,


to the


Marina


(for coffee and scones)


and


Fort


Mason,


meeting


up with


Lisa and


Tom (ascending the freight elevator, because it happens to be going our way),


taking in the revival of


Erling Wold's




Queer, where


the composer-guitarist, Jab (trumpet-player for Henry Miller in Brooklyn, who has moved back to Chicago, but is on an extended tour, playing a variety of gigs in the West),


Trauma Flintstone,


Ken Berry


(Casanova in Camino Real, who remains happily resident at Bondi Beach, Australia), and


all


turn


in


amazing


performances,


under


the


able


eye


of director


Jim Cave.  No surprise, Erling's opera is every bit as fine as the ten-years-previously premiere -- in some ways even better, and a delightful time is had during the show, and after, by all (report soon in 21st-Century Music at 21st-centurymusic.blogspot.com and eventually at 21st-centurymusic.com and in print).